This book is called The Songwriting Genius Within You: What Every . You can download it to your computer right now and be reading it within the next five. You know how to easily manipulate a powerful creative process within yourself. . how to publish the book online and make it available to you for instant download. This book is called The Songwriting Genius Within You: What Every Musician. What's the Difference Between You and a Musical Genius? What Does Your Developing Unshakable Confidence In You And Your Music. Part 5: Unleashing an download immediately and install on your PC or MAC. It's called Pitch.
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So, yes, I believe in your inner genius, and I'm asking you for the honor of showing you how to unleash the awesome songwriting genius in you right now.. . you're Make payments with PayPal - Download with PayLoadz. Cost: $ Beatles Songwriting Secret - Download as PDF File .pdf) or read online. Beatles Melody in Songwriting. Uploaded by The Song Writing Genius Within You. The Songwriters Idea Book - Ebook download as PDF File .pdf) or read book online. Terry Cox - You Can Write Lyrics The Song Writing Genius Within You.
What "psychological mindset" did the greatest songs ever come from? Learn how you can easily draw inspiration from your richer, deeper creative resources-and write music that blows you away. How can you develop and release the full potential of the parts of your brain that you use to write music? When you do this you will hear musical ideas so clearly in your head the tremendous inspiration will be overwhelming How to greatly accelerate your development on your instrument, progressing more in 3 weeks than you have in the last 3 years How to create music that is uniquely you, and why it will be impossible for anyone to match your uniqueness What are the four secret stages of songwriting that Mozart used to write some of the greatest music of all time?
What are the twelve ways you can use to represent music to yourself? The strange phenomenon that occurs in geniuses in all fields.
Björn Ulvaeus and Benny Andersson
Learn why they have this, how it helps you, and how you can use it to amplify your songwriting power. How to sharpen and become intimate with your internal music creation processes. Doing this will make it easy to clearly watch the creative process as it runs within you. This will make you far more adept at noticing your richer, higher quality ideas instead of letting them pass by, unnoticed.
How to stand out from the crowd, and create incredible music that innovates, breaks new ground, and dazzles music lovers all around the world. The secret to creating magical lyrics that strike a chord with a listener. What should you do first before you write a song. Hardly anyone knows this, but if you do this simple 5 minute exercise, everything will fall into place easily and effortlessly.
Learn precisely what this is and how to use it to your full advantage. This is key to tapping into your hidden genius.
The crucial pattern that supports creative musical songwriting. Disobey this law and you will always feel against the flow, and good musical ideas will be almost impossible to come by. You will learn how to create music so powerful that your fans will feel pure emotion run through their bodies as they listen.
Learn how to write irresistible music that stuns audiences every time you perform. Imagine walking off stage to a flock of excited fans, busting to tell you how much they enjoyed your performance. This will propel you at mock speed towards your dreams as a musician. And much, much, much more… The best part is you don't have to wait for this book to come in the mail, or drive to a store to get it.
2. Start With The End In Mind
You can download it to your computer right now and be reading it within the next five minutes. I've had many musicians write to me and say to me in person, "what are the exact steps I should take to get together an albums worth of great material without taking years"?
Well, the answers lie in this special report This thing affects everything you do from here, and if done correctly, the rest of your writing and compiling will fall into place effortlessly.
Do this and even with an intense writing schedule, your album will be a fun and joyous process. After doing these you will feel and enjoy the pleasant warm sensations that accompanies a deep creative trance. The 30 day action plan that ends with you having completed many polished, compelling pieces of music. Most songwriters would not complete even close to this amount of high quality material in a year. Also, you will learn how you can isolate and use this part of your brain to maximize your songwriting potential.
Learn the two keys to using this strategy and enjoy the effortless songwriting that flows forth.
This webpage contains valuable knowledge that can:
Also learn two effective exercises that will give you all the benefits of this rare condition, without the condition itself. Learn the distinctively different mindsets that are required at each stage of the songwriting process. In great songs, every line ultimately supports the story and as such, every line matters. You should be able to explain justify how each line connects to the story.
And ultimately the title of the song. And if you just threw it in there to rhyme, come on now. The tools are so portable now that many songwriters including myself sometimes write and demo at the same time.
This can be problematic. How dumb. Ultimately, no.
It is essentially like spending time rearranging the deck chairs while the Titanic is sinking. Resist the urge to jump into demo mode. As a guy who has a serious problem finishing songs, this is a lifesaving tip. Outline your song first, define the structure and end. THEN you can play around a bit with demos. I mean, yolo. Just kidding. But honestly, I have put in 17 hour sessions and the results are mostly horrible. There are of course occasional 11th-hour breakthroughs, but those are rare. Rest Your Ears The Eagles talk about this, as do many others artists — taking a rest and coming back to your song with fresh ears.
Something magical happens when you clean your brain of your song. Conclusion Being a songwriter takes guts. To ask a person for 3 minutes of their attention to listen to you whine about your sad, boring life is a bold ask. Nothing wrong with that either! I believe the best results for creating songs, or any product, is to put the listener first and learn how to craft a pleasing experience for them. Your Musical Ear This part of your music software relates to your ability to hear a note, and pick the pitch of the note.
This is a skill that will greatly improve your ability to hear musical ideas in your head, and play them on your chosen instrument. Your internal filters help form what I call your musical mindset.
Its this mindset that will give you confidence to break through the barriers and create truly mesmerizing music. Some of your filters include what you believe about your musical abilities; what you value about your musical abilities; your emotional state; and a few other things that affect your confidence and the way you approach your songwriting.
Once youve developed the right musical mindset you will be in a perfect, receptive state to receive ideas from your deepest creative resources. Internal Criteria This part of your music software refers to the criteria you have gathered about music and what good music is all about. This is the part of your software that decides whether music is great, terrible, or anything in between. Your internal criteria include things like: Whats important to you about music What you believe music should sound like Your personal music taste Its your internal criteria that can define you as a completely unique songwriter.
In this course you will learn how to trust your internal criteria, which will lead you to creating some completely unique and inspiring music. Your Creativity Process Perhaps the most important element of your musical software although tweaking all the other elements can have a large affect on your songwriting abilities! This is the part of your music software that defines how you create new musical ideas, or struggle to create anything at all. One of the main focuses of this book is to teach you how the creativity process works, and teach you to pull your ideas from your richest creative resources.
Learning how to do this will open the gates to an unstoppable flow of magical musical ideas. Once you master this process, you are in for a lifetime of amazing musical exploration! As you will learn though, its very damaging to the creativity process to consult your internal critic too early.
Your Complete Music Software These are all the basic elements of your musical software. As you move through this book you will learn much more detailed information about each element. And you will also learn procedures that will allow you to use each element to its full potential. Even just tweaking a few of these elements will cause dramatic improvements in your songwriting abilities.
For instance, learning how to engage the creative process deliberately in yourself will produce a massive onslaught of ideas for you to pursue.
Just this one shift will dramatically change your musical life for the better! Lets continue by taking a look at the 5 main steps you need to take to transform your musical software to that of a gifted songwriter. The first step you will take is to sharpen your internal senses so you can observe and recognize the creative process that runs within you.
Inside your head there are many different types of thinking that goes on. You probably notice that you can hear sounds in your head. You can see pictures. You can also talk to yourself. All these things are methods you use to think. In the first step of this development process you will become intimate with the musical "thinking" that you do.
In other words, you will learn exactly how music is represented inside your mind. You will also learn how to sharpen your attention so you notice these internal processes clearly. There is a lot going on inside your mind that youre likely not aware of at this stage.
By becoming much more aware of the musical "thinking" you can do, you will be able to notice the many musical ideas your brain generates. Once you sharpen your internal senses you will become much more sensitive and aware of hearing sounds in your head, seeing pictures in your minds eye and so forth.
Im positive youll be absolutely delighted as you become more in touch with this outer world that until now has remained outside of your awareness. As you move through these internal sharpening exercises you will begin to see just how much potential creativity exists within you.
How to make sweet sounding music with a hard drive
The second step is to understand exactly how the creative process works. Once you know this you will be able to leverage the full power of this process. The creative process is a highly complicated topic. There is much debate on how it occurs and many brilliant minds are focused on discovering just what is going on inside the brain whilst in a creative state.
No matter what anybody says there is still much to learn about the human brain and how it works. At this stage we only know a small amount of the picture. These creative processes have not come to light because of a thorough understanding of the human mind. They have come to light through actually observing the procedure that needs to be completed to have a moment of inspiration. These processes have been derived from some of the sharpest thinkers on the planet and I can tell you you will be astounded at the impact they will have on your level of creativity.
Once you have a sound understanding of the creative process, you are ready to move onto the next step. You must adapt the mindset of a greateven genius songwriter. Great musicians believe certain things. They value certain things. They have certain attitudes towards music. All these things are like their inner programming that allow them to explore their full potential as an artist.
Beliefs have tremendous power.
Can you ever remember completing a task that was so large it simply towered above you? Now, if you did complete this task, did you always believe that you were going to complete it? Its likely that you did believe that you would succeed at this task. Your brain is designed in a way that if you believe something strongly enough, it will notice evidence that supports this belief.
Therefore, if you believe you wont complete a task, or you believe that you wont write outstanding music, it wont happen. However, if you have a strong belief that you are a brilliant songwriter, your mind will go on a search and find mission, searching for evidence that confirms this belief. This will put you in a state very open to creating and responding to new and interesting musical ideas. As you can see, simply believing that you are a great musician capable of irresistible music can give you an edge in creating magical music.
In fact, without this belief you most likely will never be able to generate many ideas, and when you do you will fail to act on them. In the third step of this transformation process you will discover the way that a wonderful songwriter thinks and acts.
Once you know this you can work at adopting this way of thinking and acting, and your songwriting powers will be magnified because of it! By this stage you understand how the creative process works.
You know exactly how to engage this process within yourself and you know what it will look like when you do. You also will have razorsharp internal senses from the exercises in part 1 of this 5 step process.
Its at this point when its time to begin the endless flow of musical ideas thats going to enrich you for the rest of your life!
In Step 4 you will begin performing procedures that will incorporate all that we have discussed.
These procedures will switch on the creative process in you and the inspirational ideas will begin to flow. This is the exciting part, because you will be discovering ideas unlike anything youve created before. You will touch new musical ground, and continue to again and again. In fact, once youve turned your creativity in this way, it will never stop.
In Step 4 you will amass a great number of new interesting and groundbreaking ideas. Once you have all this new meat to work with though, what comes next? Step 5 involves using your creativity and your "inner critic" to pull all these new ideas and arrange, integrate, and polish them until they are in the form of a complete piece of music. When you begin writing music in the way that you will learn, one problem that can come up is having too many ideas to work with!
Sounds ridiculous, right?! In the fifth part of this process you will learn some strategies and tips that will allow you to arrange all your new musical ideas in inspiring ways that will complete them as finished pieces. This is the part of the process that Ive personally struggled with the most. Although after some deep thought and engaging the creative process to find solutions to the problem, Ive found methods that can make this part of songwriting a snap.
And if I find things easy with these methods, it almost guarantees that you will find things even easier! Internal Senses To become a highly creative songwriting force, you need to learn to become more aware of your unconscious, creative resources. When you can do this, you will be able to develop an unstoppable flow of creative musical ideas, as it's in your unconscious mind where your creative powers lie. In this section you will learn how to become intimate with much more of whats going on inside your mind.
You will learn how you represent musical ideas to yourself. You will also learn how to notice much more musical information than youve ever noticed before. Until now, its very likely that youve been creating music from a consciously controlled environment; only drawing from whats in the center of your attention.
The problem with this is there is much more going on outside the focus of your attention than within the center of it. And its the ideas and musical perceptions outside of the center of your focus that hold the most meaning and quality.
By learning to look outside your normal focus of attention, and by becoming intimate with the way you represent music to yourself you will become an expert at locating these musical ideas created by your richer resources. In the following section you will also learn to train your musical ear so you can hear any note and immediately know exactly what note was being played. This skill, known as perfect pitch, will allow you to easily decode the musical ideas that you create.
Lets begin by developing your internal musical senses. Once youve practiced the following exercises for a few hours, you will have the ability to clearly hear music inside your head, in stunning detail.
To fully take advantage of the musical ideas that occur to you, you need to understand and become fully aware of how you represent music to yourself. This involves going inside your head and watching to see what happens! To do this effectively though, it will save you a lot of time if you know what to look for. So in this chapter you are going to learn what and how to look for the musical ideas that are presenting themselves inside your head.
Firstly, what does the word thinking mean to you? Most people assume that the word thinking means talking to yourself. This internal dialogue is, in fact, thinking, but you can think in many more ways than this. These 12 ways of thinking are called thinking modalities. What are the 12 types of thinking modalities that you can use to think with?
Heres a list: 1. Auditory-This form of modality occurs in the form of sounds inside your head. Obviously this thinking modality is important in the process of writing music. Auditory Digital-This modality is when you hear your own voice inside your head. When you talk to yourself inside your head you are using this auditory digital thinking modality.
Visual-The visual modality is being used when you see pictures inside your head. Kinesthetic-This modality is describing internal sensations of touch or feeling. For example when you feel sensations move through your body you are using your kinesthetic modality this modality is very often involved when you are experiencing emotion 5. Gustatory-This modality is referring to internal tastes.
If you think to yourself what an apple tastes like, and get an internal impression of this taste, this is utilizing your gustatory thinking modality. Olfactory-This modality refers to an internal impression of smell.
If you think of a really pleasant perfume, and get an internal impression of this smell, you are thinking with this olfactory modality. But wait! I said 12 ways! Youre right. Heres why you can represent things internally to yourself in 12 different ways.
Each of the thinking modalities Ive listed above can be used in two different ways, which are: 1. Remembered 2. Constructed If your favorite song is playing in your head that is an example of using your remembered auditory modality.
On the other hand, if you are creating a new musical idea, it is constructed auditory. Heres another example just to make this very clear. If I asked you to remember the first house you lived in, you would see a picture in your head of this house. This is visual remembered. Internal Representations You can think in 12 different ways. These different ways are like building blocks that you use to create what goes on inside your head.
Every time you make a picture in your head, hear a sound, smell an internal smell, taste an internal taste, or feel an internal touch, you are making an internal representation.
And these internal representations are going on inside your head, 24 hours a day. And there arent just a fewthere are millions and millions of them! You might say, But I dont notice millions and millions of internal representations. In fact, I only notice a few of these flashing in and out now and then! The reason for this is that most of your internal representations happen at an unconscious level.
As you have learned, most of your processing power lies in the depths of your unconscious mind. Your conscious mind can only handle five to seven www. This is where things really get interesting!
Out of the six modalities, which ones do you use when creating fresh, inspiring music?
Beatles Songwriting Secret
Let's go through them. Firstly, you use your auditory modality. This means hearing sounds in your head. Another important one is your kinesthetic modality. This is the feelings that you feel rushed through your body when you are having an emotional response to music. When you are feeling inspired there is usually a kinesthetic element involved in this state.
Also, when you come up with a musical idea, you may get a kinesthetic sensation that gives you feedback as to whether the idea is great or not.
Its also possible to involve your visual modality into the music creation process. In fact, it can be very useful to do this and is a fascinating part of the way a musical genius composes.
And well cover this in much more detail a little later. Finally, Its rare, but some people can actually use their gustatory modality internal taste in the musical creation process.
Synesthesia Synesthesia is a condition that occurs in a small percentage of the population where there is a crossover in the way information is represented inside the mind. Let me explain People without synesthesia will represent a piece of music to themselves as sounds, and only use their auditory modality to represent this incoming information.
However, a person with synesthesia may hear this music and also see it as a color. This is the synesthetes crossover of the auditory and visual modalities.
In other words the sound is being represented using both the auditory and gustatory modality. These crossover relationships are called synesthetic relationships. You might think, this is interesting, but how on earth does it apply to me writing great, memorable songs? Well, heres why its important. When you study the musical geniuses of the world, there is something that all these great minds have in common. In fact, this seems to be true for geniuses in just about any field.
They all have synesthesia! Isnt that interesting?! For example, when Mozart wrote a piece of music, there were three clear synesthesia relationships. And this sort of synesthesia seems to be common territory to any artist who has changed the face of the earth with their music.
Read these quotes from three musical greats and see if you can spot the synesthetic relationships Ok, the bolded text gives you a few clues! I begin to elaborate the work in its breadth, its narrowness, its height and depth, and, since I am aware of what I want to do, the underlying idea never deserts me.
It rises, it grows, I hear and see the image in front of me from every angle, as if it had been cast like a sculpture, and only the labor of writing it down remains-Beethoven A genuine creator will have the gift of seeingilluminated in the minds eye, as if by a flash of lightninga complete musical form he will have the energy, persistence, and skill to bring this envisioned form into existence, so that even after months of work, not one of its details will be lost or fail to fit in to his photographic picture.
Paul Hindermith Once you set up your idea of the material, you kind of sit back. You look at it. You think about it, and you feel it. And then, if youre sensitive to it, it starts to tell you what it wants to do.
Its like it starts to move in a certain direction. If youre sensitive, youll just kind of say um humh, and www. Its kind of like a painting, but not exactly. Its an abstract image. Michael Colgrass Pulitzer prize-winning composer Heres The Good News Two things: Firstly, there is a growing body of evidence that suggests that everyone is born with synesthesia. Its just that as we grow older we learn to suppress it among many other things, such as our genius musical ideas!
When you listen to somebody talk you can even notice this bottled up synesthesia come out in their speech patterns. They might say something like, The color blue is cool, while red is hot.
This suggests that there is a synesthetic relationship between color and temperature or kinesthetic internal impression of touch or feeling. Neurologist Richard Cytowic, in a study of people who were born fully synesthetic, hypothesized that the intertwining of senses must occur deep in the limbic system. This portion of the brain is completely outside our awareness and is responsible for primitive drives, such as hunger, emotion, and sexual desire.
This means that everyone has synesthetic relationships happening all the time. Its just that for most of the population, it happens outside of their awareness. The second important thing is that there are exercises and procedures you can do that will encourage you to notice these synesthetic relationships in your music creation process.
Now, Im not suggesting you develop fully blown synesthesia herenot at all. There can be many drawbacks to having a strong dose of this condition, and most of the co-mingling of the senses are best done in your unconscious, outside of your awareness.
But you can learn to use multiple modalities in your musical creation process that will enable you to utilize your brain in a similar way to the geniuses in the quotes above. Later in this book you will learn procedures to help you become aware of your musical co-mingling of senses.
And it will be as fascinating an experience for you as it was for me! When you come up with a musical idea, there are a few methods of receiving this information. The most common method is to hear music in your head. Hearing music in your head is an example of using your auditory thinking modality. When you think in an auditory fashion, you actually hear sounds inside your head. Thus hearing music in your head is thinking in an auditory manner.
The procedure that will be outlined in just a few moments will strengthen your ability to think using your auditory modality. This will mean that ideas that occur to you will sound very clear and enable you to decipher the idea easily. As youve learned, much of what goes on inside your head is outside your awareness. Youre not aware that these thought and perceptions are occurring.Gustatory-This modality is referring to internal tastes.
Writing the notes Now, a lot of people have trouble with this one, and if you've read this far, you deserve a treat. For example, when I started writing this blog post, I outlined it. Olfactory-This modality refers to an internal impression of smell.
To fully take advantage of the musical ideas that occur to you, you need to understand and become fully aware of how you represent music to yourself. It is an output that dwarfs even the most prolific of human composers at it takes about half a second to generate one tune. I've spent the last few years learning everything there is to know about writing breathtaking music that deeply impacts those who hear it.
In other words the sound is being represented using both the auditory and gustatory modality. The surprising answer will unlock the door to incredible musical possibilities.
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